Analysis of the Parallels of Soundtrack with Visual Motifs and Plot in Hitchcock’s Vertigo

Presenter(s)

Kelly Bohan

Abstract or Description

This project examines the parallels between Bernard Herrman’s soundtrack and the visual motifs present in Alfred Hitchcock’s film Vertigo, particularly as they relate to nuances in plot. Hitchcock’s works are renowned for the level of detail and intentionality in their creation. They frequently feature visual signs that provide layers of commentary and depth to each scene. Specific visual motifs in Vertigo include spirals, heights, and mirrors. These have parallel musical representations present throughout the film, achieved by means of compositional techniques and characteristics of the music itself. These musical instances are analyzed in terms of their possible significance to the plot. Occasional instances where these musical techniques are used simultaneously are explored. Additionally, the similarities between this film score and the music from Wagner’s Tristan und Isolde are noted. All observations are a result of individual research through careful analysis of the film as well as review of previous studies on the work.

Mentor

Cara Stroud